There’s nothing wrong with being inspired by a remix and gathering a few ideas, but be wary of similarity. Just be careful when doing this as it’s easy to end up copying the remix too closely. Do a quick YouTube search of the song you’re wanting to remix to hear the other ones. I recommend listening to remixes of the same song you’re trying to remix, or remixes of similar songs. Listening to other remixes is a great way to spark some thought and creativity. Are they looking for a club friendly remix, or something more radio friendly? Keeping these in mind will increase your chance of success. If you’re trying to win a remix contest or gain attention from the original artist, think about how that should influence the remix. The result? You’ll sit down to produce your remix with clear intentions and objectives instead of blankly staring at the screen feeling sorry for yourself. And despite what many argue, planning does not inhibit creativity!īefore starting a remix, why not do a bit of brainstorming? If you’ve got ideas from tip #2, then this is the time to write them down. It helps you stay on task and work on the important. Having a general plan that you can refer back to when stuck in a rut is invaluable. You’ll use them when you start working on your remix. Whatever comes to mind, write it down and take notes.
#Club remix song free#
Note: If you’re a new producer, I’ve put together a free 50-page remix guide on everything you need to know about remixing. Whether you’re remixing a song for a competition, have been contracted an official remix for a release, or cooking up a cheeky bootleg of a popular song, these tips are for you.
Creative ways to mangle stems (that most producers neglect).Thinking ahead to create remixes faster (instead of wasting time).How making a remix/bootleg is different from an original.In this guide, I’ll cover 21 tips to help you on your way, covering topics like: So what if you don’t know the fundamentals? The good news is that once you do, making a remix is pretty damn straightforward. Since then, savvy remixes have bridged chart pop and EDM, lent indie cred to major stars, and offered playgrounds for producers to try out new styles and invent new subgenres.The bad news is that unless you know the fundamentals of electronic music production, you’re going to have a hard time. In the ’00s, remixes sparked a chain reaction of rock/rave fusions, and the anything-goes spirit of mashups mimicked the nonlinear logic of the internet. In the ’90s, remixers like Andrew Weatherall and Pet Shop Boys wrung throbbing club classics out of psychedelic rock and sneering Britpop, while Todd Terry and Armand van Helden made unexpected floor-fillers out of acoustic art-pop.
Since then, dance remixes have proven one of popular music’s most productive forms of cross-pollination, decade after decade. They were born with ’70s disco, as producers like Tom Moulton, Walter Gibbons, and Larry Levan supplemented multitrack magic with techniques borrowed from Jamaican dub-echo, panning, delay, phasing-in order to stretch three-minute songs into dance-floor epics. Dance remixes are almost as old as modern dance music itself.
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